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Thurlow Weed Lieurance (March 21, 1878- December 9, 1963) was an American composer, known primarily for his song "By the Waters of Minnetonka". He is frequently classed with a number of his contemporaries, including Arthur Nevin, Charles Sanford Skilton, Preston Ware Orem, and Arthur Farwell, as a member of the Indianist movement in American music.1 LifeLieurance was a native of Oskaloosa, Iowa, but his family relocated to Kansas when he was very young. Little is recorded about his early education; it is known that his father encouraged him to be a pharmacist, but that he preferred instead to follow a career in music.2 Upon the outbreak of the Spanish-American War he enlisted as a musician. With the cessation of hostilities, he moved to Ohio and enrolled in the Cincinnati College of Music, studying there until his savings from military service ran out. He was able to continue studying with Herman Bellstedt, a former cornet player under John Philip Sousa. Around 1905, Lieurance joined the Chautauqua Society, working in traveling tent schools teaching music to American Indians. The contacts he made through this position led to an interest in Indian culture; he began to try and transcribe the songs that he heard, and began to teach himself the craft of making traditional Native American flutes.3 It was also at around this time that Lieurance received some sort of injury which led to a permanent disability; sources disagree on the nature of his injury, but it required him to use a cane for the rest of his life.4 Around 1909, Lieurance acquired a portable cylinder recording device from Edison Records, and carried it with him whenever he went to visit Indian performers. In October of 1911 he recorded an Oglala Lakota Sioux singer, Sitting Eagle, then living on the Crow Reservation in Montana. From this recording he took the melody for his song "By the Waters of the Minnetonka".3 He set it to a harp-like accompaniment, 1 and it was published by Theodore Presser in 1913, becoming an instant success and going through several editions; it was also frequently recorded in the years before 1950.4 A typewritten note found among the composer's papers describes the legend behind the song:
Lieurance himself recognized how important to his career the song had been, later saying that
Lieurance married, in 1917, Edna Woolley, and she took part in his recital tours thereafter. She would wear an Indian costume and play the part of "Princess Watahwaso". Such was the success of these recitals that Lieurance was able to return to school in Cincinnati, finally gaining his degree there in 1924. The couple retired from concertizing in 1926 and settled into teaching positions, working briefly at the University of Nebraska2 before coming to the University of Wichita. Lieurance eventually became the school's Dean of Fine Arts. The couple retired from the university in 1945.3 Lieurance and his wife were invited by Theodore Presser to travel to Europe in the early 1930s. Upon their return, the composer was given support for his research into Native American music when he received a grant from the American Scientific Research Society. Later in the decade, he helped to found the Minisa Symphony Orchestra in Wichita; most of his orchestral music was written for this group. Upon retirement, Lieurance and his wife moved to Neosho Falls, Kansas. Their house there was destroyed by flood in 1952, and the couple moved to Boulder, Colorado, where Lieurance died in 1963. Today the couple's papers may be found in the music library of Wichita State University, which has been named for the composer.3 MusicApart from "By the Waters of Minnetonka", Lieurance wrote over 300 works. Included in them were a number of orchestral pieces, with titles such as Trails Southwest, The Conquistadors, and Sad Moon on Falling Leaf. Much of the rest of his output consisted of songs and works for choir, but he also composed an opera, The Drama of Yellowstone.3 Notes and references
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